Tag Archives: complementary roles

A Necessary and Complementary Partner

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In a previous post I responded to a colleague’s question about how the follower is a “helper” in the dance (in reference to Gen. 2:18). Recently I have learned more about the context and meaning of the term that is translated “helper” in that verse, and consequently I want to revisit the question in light of this new information.

The new information comes from a study series taught by Dr. John Yates, rector of Holy Trinity Anglican Church in Raleigh, N.C. In the study notes, Dr. Yates writes:

The term, “helper,” used to describe Eve is often used of God himself. [Exodus 18:4, Deuteronomy 33:7, 1Samuel 7:12] It essentially means one who provides what is lacking/what the other is incapable of on his or her own. A helper is therefore not an assistant but a necessary and complementary partner. Continue reading →

We Were Made For This

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I’ve had numerous conversations with female friends who dance, and we all agree. Partner dancing affirms our femininity. We love that princess-like feeling resulting from a chivalrous invitation to dance followed by being gracefully led around the dance floor for a few brief minutes (the length of a song). We walk out of the door with our heads held higher from the experience, feeling beautiful even if we were not wearing a formal gown or it had been a bad-hair day.

What I didn’t know was if men were affirmed in their masculinity through dance. So I finally asked the question. The particular group of men I asked were Christians, new to dance and participating in a dance workshop with their wives. Their answer seemed to be unanimous. Yes, dancing affirmed their masculinity. Why? There are not many circumstances in life where they were unequivocally the “leader,” where they are given permission to lead without any question or hesitation.

The results of my quick survey are completely unscientific, of course. But even so, it begs the question: Why does dancing affirm us in our femininity and masculinity? My theory is we were made for this. Men were designed by our Creator to be leaders; women were designed by our Creator to be helpers and responders. The male-female  dance partnership reflects our God-intended roles as men and women, so when we dance we feel affirmed in who we were made to be.

This is not a welcomed or celebrated message in our time and place in history. There is much argument and debate over “gender roles,” and scriptural guidelines are often regarded as archaic and irrelevant.

In a humorously titled blog post, Woman! Know Your Role, the author finds that submission (as referenced in Ephesians 5) often looks different than what she expected. She gives the following examples:

I recently had an epiphany about the times my husband has said to me, “Where do you want to go for dinner?” And I refused to decide, thus refusing to submit to a simple request he’d made of me. So what I actually thought was submission was not, because he asked me for input and I wouldn’t give it to him. Or many times Adam has told me to leave the dishes and let him clean the kitchen after a dinner I’ve made. Guess what I used to do? Ignore him completely. When I thought I was serving him by continuing to clean, what I was communicating was that I didn’t regard his requests enough to comply with them, not even when they were to my benefit.

She concludes: “Honor and esteem your role, ladies. It is a high calling and one that should be embraced.” Likewise, I would encourage men to embrace their God-intended role. I think we will each find that when we do, as in dance, we are affirmed in who we are created to be.

Copr 2009 MarriageDance

A Helper Suitable for the Dance

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A colleague asked me recently in conversation, “In what way is the woman a ‘helper’ in the dance?” The source of the question is Genesis 2:18: “The LORD God said, “It is not good for the man to be alone. I will make a helper suitable for him.” (NIV)

Her question was associated with my look at dance as a metaphor for marriage. While the man takes the leading role in the dance, the woman must be an active and intentional helper in numerous ways.

First of all, she helps by carrying her own weight and actively participating in the dance. As the follower, she is not dependent on him to move her weight across the floor. This helps him move more freely and easily himself while also guiding her.

Secondly, she maintains good posture and muscle tone, staying connecting to him through the dance frame. This helps the man communicate the lead, as the frame is the channel of communication between them.

Additionally, in many dances, the partners are facing opposite directions and are slightly offset from one another. In this way, the woman is able to see behind the man. She helps him by alerting him to anything that might be an obstacle or threat (such as an approaching couple on a crowded dance floor). Since dancers move forward, backward and sideways, it is helpful to have both sets of eyes engaged and watching for possible interference. In keeping with the spirit of the verse in Genesis, dancers can tell you without question that two work better than one here.

Like in marriage, the dancing couple works in partnership. The male and female roles are distinct and different in dance and in Christian marriage, and the partnership works best in both with active and intentional participation, communication and engagement from each person.

Copr 2009 MarriageDance

Complements by Design

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In dance circles I’ve heard it said that “The woman is the picture; the man is the frame.” This speaks to the individual and complementary roles of the woman and the man in the dance.

A frame around an artwork provides a complement to the art not a distraction. It may be artistic in its own right, but it does not compete. Rather it focuses attention on and brings out the best features of the artwork it supports and protects.

The same can be said in dance, though it is true in some dances more than others. As a general rule, the man provides the structure through his lead. The woman is able to add creative flourishes or “art” to the dance as she follows, particularly if she is an experienced dancer. This may be most obviously demonstrated in ballroom dance moves such as an oversway, throwaway and develope. She is responsible for supporting her own weight in any move other than a lift,  but the structure or set up provided by the man is essential to the proper execution of such moves.

Additionally like the frame, the dance leader has responsibility for protecting his partner. This can be particularly challenging on a crowded dance floor.

How is this like a Christian marriage? Husbands and wives have individual, complementary roles. The man’s leadership offers structure and protection for his wife.

Christian author John Eldredge writes that the essence of a man is his strength and the essence of a woman is her beauty. Both strength and beauty are characteristics of God, in whose image both men and women are made. They work together like a picture and its frame.

Copr 2009 MarriageDance