There are times when I wonder if I’m off-base on this metaphorical comparison of dancing and marriage. But I was reassured when I discovered a couple of dancers’ blogs recently. I am posting some of the comments I found reassuring so you can decide for yourself.
From heartysoul.wordpress.com/2007/02/12/osteopathic-lindy/
The BEST leaders … are the ones who are highly skilled and pay attention to their follower. And the BEST followers are those who can respond to the slightest movement and share in the creativity of the dance.
Every dance you have, the person you are dancing with should be your top priority. Connecting to the music initiates a common rhythm. Then what the dancers bring to the floor and share with each other creates the completely indescribable, inspirational, temporary piece of moving art.
Although social dancing is lead-follow, the percentage that each person contributes to the success of a dance is about 51% leader to 49% follower. The leader decides what move to do, but the follower has to respond. In order to have a decent dance, the leader needs to understand his partner, know what her skill level is and listen to her. Followers can send signals if she has a good idea or if she’s not happy. The follower has to give up some of her own control and trust the leader. Trust brings some amazing surprises and delight.
From swingscene.wordpress.com/2007/04/17/in-theory/
… as a leader you have to take care of your follower. You are dancing for her, she is not dancing for you. I’ve found that when I think this, when I approach a dance and make it about her and her enjoyment I have a lot better dance, I am much more creative, I connect much better, regardless of her level. But when I approach a dance with an expectation that I’m going to get something from the dance, and look to her to connect with me the way I want to, when I expect, or worse, demand that she follow me a specific way, the dance is usually crap; it becomes wholly unfulfilling.
I expect the reverse holds true too. If I were a follower I would have much better dances if each time I worked to connect with my leader exclusively and regardless of my leaders efforts to connect at my level.
And then the theory holds true, if the leader strives to reach the follower where she is, and the follower reciprocates, but each independent of the other, that’s when there is magic on the (dance) floor.
What marriage advice could be drawn from these comments about dancing? Click on the “responses” link below to add your thoughts.
Copr 2009 MarriageDance
Dawn,
I think the music is like the Holy Spirit. It is the common beat or lifeblood of the dance which both are listening to in order to dance or work together in a marriage. Without this rhythm which is outside of ourselves but coming into ourselves and without our being in tune with this rhythm and driving force we can never really be totally in tune with our partner. I have never heard of a capella ballroom although I have seen some a capella duets in ballet or modern dance. Even there though they are fairly rare and usually leave a less than satisfying feeling.